Kanchipuram (Pruthvi Lingam-earth)
Deities: The presiding deity here is Ekambareswarar or Shiva, worshipped as the Prithivi Lingam. A Somaskanda panel featuring Shiva, Parvati and Skanda adorns the rear of the main shrine, which has been held in worship for centuries together. It is believed that Parvati, the consort of Shiva worshipped him in the form of a Prithivi Lingam, or a Lingam improvised out of sand, under a mango tree. Legend has it that the neighboring Vegavati river overflowed and threatened to engulf the Shiva Lingam and that Parvati or Kamakshi, embraced the Lingam, and Shiva, touched by the gesture materialized in person and married her. In this context he is referred to as 'Tazhuvakkuzhainthaar' in Tamil.
As mentioned before, there is no separate shrine for Ambal or the Goddess in the temple as she is worshipped along with Shiva, as in every other Shiva temple in the precincts of the town of Kanchipuram.
There is another shrine of Shiva and Kamakshi under the Stala Vruksham or the Temple tree, which is a mango tree said to be 3500 years old. The mango tree is said to be the embodiment of the four Vedas and the tree is said to bear fruits of four different tastes each season here.
The Saint poet Sundaramoorthy Nayanar is said to have recovered his eyesight (left eye) after offering worship here.
Legends: There is said to have been a forest of Jambu trees near the Chandrateertha tank (filled with the water of the Kaveri) here and Shiva is said to have appeared under one of the trees as a Shiva Lingam. Legend has it that two devotees of Shiva were born under the influence of a curse as a white elephant and a spider. The elephant worshipped Shiva with flowers and water brought in its trunk (hence the name Tiru Aanaikka).
The spider worshipped the Lingam by spinning a web on top, to protect it from falling leaves. The elephants worship would destroy the spiders web, and the spiders web amounted to desecration in the eyes of the elephant leading to animosity between the two, of such proportion that a fight between them resulted in the death of both.
The spider was born again in the royal Chola family (in Uraiyur - during the Sangam period). An interesting tale is associated with his birth. His parents Subhadeva and Kamalavati prayed to Nataraja of Chidambaram for a male successor. The royal astrologer is said to have predicted an auspicious time for the birth of a successor who would be a ruler of great fame. The hour of birth approached sooner though and the royal queen bade her attendants to tie her legs and hang her upside down, with the aim of delaying the birth of the child. She achieved her objective although the royal offspring was born with reddened eyes, earning for himself the name 'Chenkannan' - the red eyed one. In his life time Ko Chenkannan is said to have been built several elevated temples - out of reach of elephants, keeping with the legend of his animosity with an elephant in his previous birth.
The stala vriksham is said to have grown out of a munivar, who offered his worship to Shiva.Akhilandeswari (Parvati) is said to have meditated upon Shiva here, and her shrine here, is considered to be of great significance.
It is believed that Akhilandeswari was originally an Ugra Devata of great fury, and Adi Sankaracharyar is said to have converted the fiery energy of the deity into a manifestation of peace. Shrines to Vinayaka and Subramanya face Akhilandeswari.
Legend has it that Shiva manifested himself in the form of a massive column of fire, whose crown and feet, Bhramma and Vishnu attempted in vain to reach. (See: Lingodbhavar) A celebration of this manifestation is seen today in the age old traditions observed in the Shivaratri and the Kartikai Deepam Utsavams held here.
There is an air of deep mysticism around the temple, the hill and its environs and the town itself has been known for its long association with Yogis, Siddhas, the well known spiritual savant Ramana Maharishi and several others. The origin of this temple dates way back in time, although much of the temple structure as seen today, is a result of building activity over the last one thousand years.
Seventh century Tamil poetry glorifies this temple. All of the four Saivite Saints Appar, Sambandar, Manikkavacakar and Sundarar have sung the glory of this temple and it was at this temple that Arunagirinathar began composing his immortal work Tiruppugazh. Muthuswamy Deekshitar’s kriti Arunachalanatham pays tribute to the presiding deity of Tiruvannamalai.
As mentioned before, there is no separate shrine for Ambal or the Goddess in the temple as she is worshipped along with Shiva, as in every other Shiva temple in the precincts of the town of Kanchipuram.
There is another shrine of Shiva and Kamakshi under the Stala Vruksham or the Temple tree, which is a mango tree said to be 3500 years old. The mango tree is said to be the embodiment of the four Vedas and the tree is said to bear fruits of four different tastes each season here.
The Saint poet Sundaramoorthy Nayanar is said to have recovered his eyesight (left eye) after offering worship here.
Jambukeswarar ( Appu Lingam-water)
Legends: There is said to have been a forest of Jambu trees near the Chandrateertha tank (filled with the water of the Kaveri) here and Shiva is said to have appeared under one of the trees as a Shiva Lingam. Legend has it that two devotees of Shiva were born under the influence of a curse as a white elephant and a spider. The elephant worshipped Shiva with flowers and water brought in its trunk (hence the name Tiru Aanaikka).
The spider worshipped the Lingam by spinning a web on top, to protect it from falling leaves. The elephants worship would destroy the spiders web, and the spiders web amounted to desecration in the eyes of the elephant leading to animosity between the two, of such proportion that a fight between them resulted in the death of both.
The spider was born again in the royal Chola family (in Uraiyur - during the Sangam period). An interesting tale is associated with his birth. His parents Subhadeva and Kamalavati prayed to Nataraja of Chidambaram for a male successor. The royal astrologer is said to have predicted an auspicious time for the birth of a successor who would be a ruler of great fame. The hour of birth approached sooner though and the royal queen bade her attendants to tie her legs and hang her upside down, with the aim of delaying the birth of the child. She achieved her objective although the royal offspring was born with reddened eyes, earning for himself the name 'Chenkannan' - the red eyed one. In his life time Ko Chenkannan is said to have been built several elevated temples - out of reach of elephants, keeping with the legend of his animosity with an elephant in his previous birth.
The stala vriksham is said to have grown out of a munivar, who offered his worship to Shiva.Akhilandeswari (Parvati) is said to have meditated upon Shiva here, and her shrine here, is considered to be of great significance.
It is believed that Akhilandeswari was originally an Ugra Devata of great fury, and Adi Sankaracharyar is said to have converted the fiery energy of the deity into a manifestation of peace. Shrines to Vinayaka and Subramanya face Akhilandeswari.
Tiruvannamalai (Agni Lingam-Fire)
Legend has it that Shiva manifested himself in the form of a massive column of fire, whose crown and feet, Bhramma and Vishnu attempted in vain to reach. (See: Lingodbhavar) A celebration of this manifestation is seen today in the age old traditions observed in the Shivaratri and the Kartikai Deepam Utsavams held here.
There is an air of deep mysticism around the temple, the hill and its environs and the town itself has been known for its long association with Yogis, Siddhas, the well known spiritual savant Ramana Maharishi and several others. The origin of this temple dates way back in time, although much of the temple structure as seen today, is a result of building activity over the last one thousand years.
Seventh century Tamil poetry glorifies this temple. All of the four Saivite Saints Appar, Sambandar, Manikkavacakar and Sundarar have sung the glory of this temple and it was at this temple that Arunagirinathar began composing his immortal work Tiruppugazh. Muthuswamy Deekshitar’s kriti Arunachalanatham pays tribute to the presiding deity of Tiruvannamalai.
Kalahasti ( Vayu Lingam-Air)
Legends associated with this temple: The legend here is similar to that of the Jambukeswara temple at Tiruvanaikka. Shiva is said to have given salvation to a spider, elephant and a serpent who were ardent devotees of the Shiva Lingam located here. The spider is said to have attained salvation in Kritayuga (the first of the four yugas in the Hindu tradition), while the elephant and the snake were devotees in Treta Yugam, the succeeding aeon. The elephant's devotional outpouring was a source of disturbance to the serpent's display of devotion and vice versa, resulting in animosity between the two, until Shiva's intervention gave both the devotees their liberation.
Kannappa Nayanaar, a hunter is said to have been a great devotee of Kalahasteeswarar. Legend has it that he offered his own eyes to the Shivalingam, and for this reason earned the name Kannappan (his original name being Thinnan), and the distinction of having his statue adorn the sanctum. Nakkiradevar, Indra, Rama, Muchukunda and others are believed to have worshipped Shiva at this temple.
Temple is also associated with Rahu and Ketu
Chidambaram (Akasa Lingam-space) The Cosmic Dance of Shiva
Legend has it that Aadi Seshan, the serpent (couch) of Vishnu, heard Vishnu's exhilarating description of Shiva's Dance of Bliss. Filled with irrepressable desire to witness this dance in person at Chidambaram, Seshan descended to the earth as Patanjali (the one who descended). Vyagrapaadar, another devotee of Shiva prayed to obtain the tiger's claws so that he could obtain with ease the sacred Vilva leaves meant for Shiva's worship at Chidambaram. The two sages spent their time in prayer and meditation - in anticipation of Shiva's Ananda Tandavam.
At the appointed hour, Shiva (with Sivakami) granted to Patanjali and Vyagrapaadar, a visual treat in the form of his Cosmic Dance of Bliss, to the accompaniments of music played by several divine personalities in the Hindu pantheon. This Dance of Bliss is said to have been witnessed by Vishnu, and there is a Govindaraja shrine in the Natarajar temple commemorating this.
No comments:
Post a Comment